The Seahorse Whimsy studio is a private studio located in Kirkland, Washington. Please contact us for a studio tour!

Initially, in 2006, it was difficult to find much information on setting up an art glass studio and knowing where and what to buy. Through much research and trial and error, Seahorse Whimsy was born. I would like to offer my experience to help other artists who may be interested in getting started in glass to get a general background. There is much more information available today on the web and through local glass suppliers who would be happy to help you set up a studio if you so desire!

Disclaimer

This is how I have set up my lampworking glass studio and this information is for entertainment purposes only. You are responsible for your own choices and are recommended to consult your local authorities for safety and usage codes. Be smart and be safe!

Artist’s Work Area

You can use any stable table surface that is then protected by fireproof materials. My work surface is an industrial metal shelf on casters, and I mainly use large, old cookie sheets to protect my work surface. They are easy to clean and any hot glass that drops does not stick to them. I like the flexibility of having a mobile workstation, both for quick set up and storing, and also for the flexibility to work outside in good weather!

Before and After Pics

Glass

I use 104 c.o.e. (coefficient of expansion) glass rods, also known as Moretti and Effetre glass, or soft glass. I find this fun to work with and it is available in a large variety of colors!

Tools

I use many tools available through a glass supplier, but also use many found objects and cooking utensils, dentist’s tools, and even scissors! I do own some brass molds for bead making, but have yet to find these as enjoyable to use as free-forming and creating my own designs.

Torch

There are many torches available. I use a minor bench burner with a propane and oxygen mix. My propane tank is a regular barbecue propane tank, and the oxygen tank needs to be purchased or rented by a local air supplier. Both tanks need to be safely and securely chained according to your local fire code. Also, when opening the valves, after fully opening, I always turn them back towards being closed at least a 1/4 turn, so that if there was an emergency, I would be more easily able to close the valves quickly as sometimes they can stick when in the fully opened position.

Ventilation

Air flow is extremely important, both for drawing fumes from the propane and glass away from you as you work at the torch, and for ensuring fresh air for you to breath as the torch is also burning oxygen out of the air. Propane fumes sink, so it is important to catch these fumes at and below where your torch work is performed. I use a 90cfm industrial fan to suck the fumes down and away from my work area. My workbench is mobile, so I can also work outside during ambient weather.

Safety

I wear a welder’s apron and didymium glasses at all times. I also wear pants and long sleeves, preferably made of a natural material. Sunscreen might also be a good idea as the intense light from the torch does give off UV rays.

I also have two fire extinguishers installed, as well as a smoke and carbon monoxide detectors. I have a jar of water for those times when a piece is not working out and I need to ditch it quickly and safely. I also have a gallon of water on hand, if needed, and a phone nearby.